“Hallelujah!” This single word is one of the most recognized in Handel’s “Messiah,” a work that is equally well known throughout the masses since its premiere in 1741. But those fans of Pacific Symphony and Pacific Chorale would know that this lyric is also the beginning of long-time partnership between these two groups.
During Pacific Symphony’s 1983-84 season, Pacific Chorale joined the orchestra at Fullerton’s Plummer auditorium for Roger Wagner’s (founder-conductor of Los Angeles Master Chorale) legendary reading of Handel’s “Messiah.” Later in that season, Pacific Chorale broke bread, or rather shared apple pie for dessert, with Pacific Symphony musicians and the community members in a picnic hosted during the intermission of “American Music and Apple Pie,” a concert that featured the works of Copland, Barber, Harris and Erb in the new home of the Symphony (at that time) at the Santa Ana High School auditorium.
Pacific Symphony continued this glorious partnership, with many performances of “Messiah” over the years.
2001 marked the first ever joint recording of Richard Danielpour’s “An American Requiem” after performing the world premiere four days earlier on Nov. 14 with conductor Carl St.Clair. Now, they can be heard on seven additional recordings together, including Pacific Chorale’s recording of “Voices” by Stephen Paulus featuring Pacific Symphony. Earlier this year, Pacific Chorale joined the Symphony in New York’s Carnegie Hall to perform Philip Glass’ “Passion of Ramakrishna” for the composer’s 80th birthday celebration.
Founded in 1968, Pacific Chorale originated as a group of singers rehearsing for a performance of Mendelsohn’s “Elijah” at the University of California, Irvine, conducted by Dr. Maurice Allard, later becoming the Irvine Master Chorale. Eventually John Alexander, artistic director emeritus, would take over for a remarkable 45 seasons from 1972-2017. Along the way, the Chorale changed its name to Pacific Chorale to reflect “Orange County’s (and California’s) identity as a coastal community taking part in the rich network of cultures and traditions that encompass Earth’s largest ocean.”
Pacific Chorale comprises 140 professional and volunteer musicians, led by Robert Istad who took over for John Alexander in the 50th season (2017-18), after being assistant conductor since 2004. Like Alexander from 1996-2006, Istad is also the director of choral studies at CSUF. Additionally, he serves as a music professor, and the leader of the University Singers and the Women’s Choir.
Like Pacific Symphony, Pacific Chorale takes pride in their education programs for youth and forbringing lifelong learning opportunities to surrounding communities. These programs include the Choral Academy for elementary students, the Choral Camp, in association with CSUF, to provide music theory and vocal production training for high school students, and annual summer event of a free Choral Festival, and Intro to the Arts and Passage to Arts programs that partner with organizations and high school chorale directors to bring free Pacific Chorale concerts to at-risk and low-income children.
For these education programs, they have been awarded the 2005 Educational Outreach Award and the 2015 Education/ Community Engagement Award. Pacific Chorale also has been recognized with the “Margaret Hillis Achievement Award for Chorale Excellence” from Chorus America, the service organization for North American choral groups.
This year Pacific Chorale will sing “Hallelujah” again during Pacific Symphony’s 40th anniversary season in their shared home, the Renée and Henry Segerstrom Concert Hall, on Sunday, Dec. 9. It promises to be a stirring performance!
Erica Sharp is a Cal State Fullerton alum with a degree in Print Journalism. She is currently the public relations and marketing intern for Pacific Symphony. She also has played double bass in Pacific Symphony Youth Symphony Orchestra and Pacific Symphony Santiago Strings.