The Pacific Symphony League has been the orchestra’s premier support group since 1990. Volunteers serve as ambassadors and provide operational and financial support for our education, community and engagement programs. As of October 2021, they have a total of 84 members.
2020 was a milestone year for the League. At a luncheon last month, State Senator Dave Min presented the California Senate Resolution of Recognition in honor of their 30th anniversary. In addition to the Resolution of Recognition, they also received other recognition documents from United States Senator Dianne Feinstein and Representative Katie Porter. Pacific Symphony staff members President and CEO John Forstye and Assistant Conductor Dr. Jacob Sustaita were onsite as well.
One of the best things about being a part of this unique group is being around like-minded music lovers who enjoy the Symphony just as much as you do. If you’ve ever been to one of our concerts or events before, you’ve most likely interacted with one of their members. They’re an incredibly important part of our community.
Since June 2021, we’ve had the honor of bringing light chamber music to cities across Orange County. From the South Coast Chinese Cultural Center in June to San Juan Capistrano this month, it has been an incredibly fun road trip.
Recently, Symphony on the Go! was featured in the Voice of OC. To see the full article written by Richard Chang, please click here. Thank you for the mention!
What is a Symphony on the Go! concert? A Symphony on the Go! concert is a free outdoor event that typically features a string quartet or a woodwind or brass quintet on a pop-up mobile stage. Audience members are encouraged to bring their own lawn chairs and blankets. Our mobile stage is a special gift from philanthropists and Pacific Symphony-lovers Jerry and Terri Kohl. All concerts are weather permitting.
If this is something you’d still like experience, there are a few more concerts left before the season comes to an end. You can learn more about upcoming events here. Craving more concerts? You can learn more about our 2021-22 season here.
Specially commissioned for Carl St.Clair’s 30th anniversary career milestone as Pacific Symphony’s Music Director, Frank Ticheli’s All the World’s a Stage will receive its world premiere next week.
A gift for orchestra and audience, this unique piece will encourage everyone in the concert hall to participate. From making air sounds to playing whirlies and even singing, the tasks will add an interactive element to the evening. Something like this hasn’t been done at the concert hall before.
For those of you who may be wary, don’t worry, Carl St.Clair will teach you everything you need to know beforehand. You’ll only be joining the Symphony at the beginning and end of the piece. No prior music training required. Carl St.Clair will cue you when it’s time for you to join the orchestra.
Formerly Pacific Symphony’s Composer-in-Residence from 1991–1998, Ticheli has a decades-long friendship with our community and also teaches composition at USC’s Thornton School of Music. Named after one of Shakespeare’s famous lines from the play As You Like It, Ticheli’s 10-minute piece is sure to be a memorable experience for all of us.
We don’t want to give too much away, but if you would like to get a sneak peek and hear from the composer, don’t forget to catch this conversation with our Assistant Conductor Jacob Sustaita and Frank Ticheli below. We can’t wait to see everyone in action soon.
To learn more about our Beethoven’s “Eroica” concerts, please click here.
Happy Hispanic Heritage Month! What started as Hispanic Heritage Week in 1968 under President Johnson, became Hispanic Heritage Month in 1988 under President Reagan. It’s now an annual observance that takes place between Sept. 15–Oct. 15.
Here at Pacific Symphony, we’ve put together a playlist that was inspired by some of the composers we’ve been listening to lately. To listen to the full song, please click or tap on the attached hyperlink.
Ginastera’s Estancia was originally commissioned by Lincoln Kirstein for the American Ballet Caravan. It would first premiere as an orchestral work in 1943 and later as a ballet in 1952. “Malambo” is the fourth and final movement.
Tango’s music history wouldn’t be the same without Astor Piazzolla. Inspired by Vivaldi’s Four Seasons, Cuatro Estaciones Porteñas is Piazzolla’s take on Vivaldi’s work. While it may be fall here in the northern hemisphere, spring has sprung in the southern hemisphere.
Bachianas Brasileiras No. 5 is divided into two main parts: the ária and dança. Released in 1938 and 1945 respectively, No. 5 is known to be one of Villa-Lobos’ best-known works. It was written specifically for soprano and cellos. Lyrics were written by Ruth V. Corrêa (ária) and Manuel Bandeira (dança).
It took Carlos Chavez a year to complete his work on Symphony No. 2 between 1935 and 1936. Chavez would also go on to conduct all three premieres with the Columbia Broadcasting Orchestra, Boston Symphony Orchestra and in Mexico in 1936.
Imagine you’re at a dance hall in Cuba in the 19th century and danzón music is playing. Even though the style has transformed over the centuries, it’s still loved. Composer Arturo Márquez was introduced to it at dance halls throughout Mexico City in the 1990s and the rest is history. Danzón No. 2 would make its public debut in 1994.
Huapango is one of José Pablo Moncayo’s lasting masterpieces. One of Mexico’s unofficial anthems, the piece was originally commissioned by his teacher, Carlos Chavez, who would also go on to conduct the work at its world premiere in Aug. 1941 with Symphony Orchestra of Mexico. It can be played by a variety of groups from mariachis to large orchestras.
Before Carlos Chávez and Silvestre Revueltas, there was Manuel Ponce. Considered to be one of the fathers of the Mexican nationalist movement in the early 20th century, Ponce’s Chapultepec is one of his more popular symphonic poems. “Primavera” is the first movement.
Picture a snake moving away from its killer. Can you feel the sense of doom? Now put that to music. Despite the fact that Sensemayá made its debut in Dec. 1938, it wouldn’t earn international attention until 1945 during a performance in the United States led by conductor Leopold Stokowski. The piece is one of Revueltas’ most recognizable symphonic poems.
Composed in 2000, Fandangos one of the younger pieces on this playlist. It had its world premiere at the Kennedy Center in Washington D.C. in Feb. 2001 and was commissioned by the National Symphony and Leonard Slatkin. The piece was inspired by Antonio Soler’s Fandango for Harpsichord.
Have you listened to any of these pieces before? Which one is your favorite? Let us know in the comments below! To learn more about the history behind Hispanic Heritage Month, please click here.
Please join me for the opening weekend of what will surely be an emotional return to classical music performances by Pacific Symphony at the Segerstrom Center for the Arts. Music Director and Conductor Carl St.Clair has a wonderful program planned including the world premiere of a fantastic work by Juilliard-based composer, Wayne Oquin. The work is described by the composer as the “ongoing aspect of urban city life: the construction of modern skyscrapers.” It features virtuosic and colorful writing for the entire orchestra and for solo clarinet.
One of the great legends in classical music is pianist Emanuel Ax who has had a distinguished solo and recording career and has been a close collaborator with Yo-Yo Ma, Itzhak Perlman and so many other luminaries. Mr. Ax will perform the sparkling Mozart Piano Concerto No. 17. To close the concert, we will hear the sweeping drama of Tchaikovsky’s most beloved Symphony No. 5.
Concerts take place Thursday-Saturday at 8:00 p.m. and Sunday at 3:00 p.m. (Sunday is Tchaikovsky only). To learn more, please click here: www.pacificsymphony.org.
Orange County has lost a beloved man, breathtaking entrepreneur, volunteer leader and meteoric philanthropic figure who transformed many institutions while inspiring people with his joyous sense of humor, his amazing life stories and wisdom. His love for his beautiful wife, Marybelle, and family was clearly boundless.
For Pacific Symphony, he was a catalytic investor in the relaunch of professional opera productions in Orange County.
“Opera is what results when an astounding number of things fail to go wrong.” This somewhat whimsical statement, oft quoted in the worldwide opera community, might be modified in Orange County to say “Opera is what happens when Paul Musco gets involved.” When viewed more metaphorically, “opera,” for Paul, signified a broader meaning. For him, it was a vehicle to better understand the human condition, to nurture talents and change lives.
Throughout Paul’s lifetime, and more especially in the latter half of his long and impactful life, Paul was the consummate definition of a philanthropist—a “person who seeks to promote the welfare of others, especially by the generous donation of money to good causes.” The list of worthy not-for-profits who have benefitted from Paul and Marybelle Muscos’ investments is long and varied. In some cases, they would make a modest gift to encourage a smaller organization or jump-start a fledgling project. Other times, they made a public and major commitment, which would vault a building campaign, endowment or major project that would challenge other donors to join him in reaching the fundraising goal, be it modest or seemingly beyond wildest imagination.
While Paul’s and Marybelle’s generosity was felt in many areas, they had a special interest in education and the arts. He sought ways to increase the impact of his gifts, and sometimes in less-than-obvious ways. Carl St.Clair, Music Director of Pacific Symphony, recalls a gift Musco told him about several years ago. “Paul was a strong champion of the Opera Program at Chapman University for many years,” St.Clair said.
“He felt it was illogical for the University to have an opera program without a strong program in the study of Italian. The result: the Musco Endowed Chair in Italian Studies and the Musco Endowment for Travel Courses in Italian Studies. For Paul, it was simply unimaginable not to have Italian as a focus. Great opera meant Italian operas. He loved them all, but Italian opera touched him deeply. His most favorite was Rigoletto. It was an opera he loved his whole life. He was generous, but extremely practical. Those two characteristics, combined with a real ‘hands-on’ approach allowed his many gifts to have maximum impact on the institutions and programs he supported.”
The strong commitment to giving by Paul and Marybelle addressed short-term needs as well as ambitious vision for future generations in Orange County. Whether it be a gift to fund a specific project, an endowment to help future generations of worthy students or a building that would showcase talented performers from around the world at Chapman University, Paul took great joy in giving, and shared that enthusiasm with others. He once said “I want to give away as much as I can while I am alive, so that I can enjoy the impact of those gifts.” That attitude allowed the Orange County community to acknowledge his kindness in the latter part of his life through the awarding of numerous awards and citations to both Paul and Marybelle.
The Muscos’ commitment to the performing arts is evidenced by their generosity to a number of major Southern California institutions. In the last decade of his life, major gifts to Chapman University, Los Angeles Opera and the Orange County High School for the Arts enabled those organizations to initiate major programs and shape new facilities that influence the lives of thousands, and will continue to do so for future generations.
Pacific Symphony was among many to benefit from Paul’s giving and leadership. Carl St.Clair commented, “The orchestra began a new program of ‘semi-staged’ opera in 2012. I recalled being nervous about the scale of financial investment required, and, of course, everyone suggested we ‘go see Paul.’ I recall that meeting very well. We were allowed to dream about possibilities, but required to commit that our business model for presenting opera was strong, and that other donors were prepared to join us. That meeting resulted in an initial three-year pledge from Paul, and Pacific Symphony’s opera program was off and running. As a result, it is now an integral part of the Pacific Symphony season, and our annual operas are among the most eagerly anticipated weeks of the entire concert season.”
Carl St.Clair added “Without a doubt, Paul’s commitment to our Opera Initiative filled a huge void in Orange County’s cultural infrastructure. Through the Muscos’ support, we are able to introduce the most famous works from this body of repertoire to an eager public. In fact, the performance of even standard repertoire from the opera canon is new for some of our musicians. The addition of opera to our seasons has been a huge factor in the development of Pacific Symphony—a real game-changer.”
In the history of every institution, certain events and individuals stand-out as pivotal catalysts of change. Paul Musco is, uniquely, one of those individuals. His influence will be ongoing, whether it be to the entire Orange County community or to a single student. Pacific Symphony has been truly blessed to call Paul Musco a valued member of our Board of Directors, a generous supporter of our programs, a sage counsel, and—most of all—a valued friend.
Paul will be missed greatly.
“An opera begins long begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I’ve left the opera house.” —Maria Callas
International best-selling author Dan Brown released his first children’s book, “Wild Symphony,” last fall. The story follows Maestro Mouse as he recruits his musical friends to play in his orchestra. In true Dan Brown fashion, there is also an anagram on each page. Don’t forget to look out for the hidden letters that come together to spell out an instrument as you flip through.
Primarily known for his novels “The Da Vinci Code” and “The Lost Symbol,” Dan Brown’s interest in music began as a kid. His parents were trained musicians and they didn’t have a TV so he started playing the piano. His interest in and passion for the art form grew from there. Music was his sanctuary and he still plays today.
“Wild Symphony” features 21-tracks composed by Brown and performed by Zagreb Festival Orchestra based in Croatia. In addition to the book, there’s a free app that lets readers scan over the page to play the right song for the right character. You can also listen to the music separately. The book is illustrated by Susan Batori.
Weekends are a big part of our schedule here at Pacific Symphony. We know how important they are to you too. If you’re looking for new Sunday activities, we have 4 Sunday Matinee concerts this season for your consideration:
Oct. 3: Tchaikovsky’s Fifth
Jan. 9: Mahler’s Symphony No. 4
May 22: Mozart’s Requiem
Jun. 12: Beethoven’s “Emperor” Concerto
Join us for an intimate and lively behind-the-scenes exploration of the classics! Concerts are 90 minutes long and include insightful comments from Maestro St.Clair. Doors open at 2 p.m. and the concert starts at 3. There will be no intermission for each show.
To learn more about the series and get tickets, please click here.
Pacific Symphony has been fortunate enough to play in concert halls around the world, but there’s one special place we get to call home. For the past 15 years, we’ve been able to welcome millions of you to the Renée and Henry Segerstrom Concert Hall. From our first concert on this day 15 years ago to our comeback with Pink Martini earlier this month, what a journey it has been.
Orange County’s arts and culture scene provides a lot to look forward to this fall and Voice of OC has a great run down of everything going on. There truly is something for everyone, and we hope you get a chance experience the best our community has to offer. You can take a look at the piece written by Richard Chang, Kristina Garcia, Timothy Mangan, Eric Marchcese, Anne Marie Panoringan and Kaitlin Wright here.
Mentioned in the article is our classical season opener, “Emanuel Ax Plays Mozart,” from Sept. 30 – Oct. 2. The show starts at 8 p.m. each night and tickets are still available. To learn more about the event, please click here.
What events are you looking forward to going to this season? Let us know in the comments below. Thank you for the shout out, Voice of OC!