An oldie but a goodie, Toscanini conducting the end of Respighi’s “The Pines of Rome,” orchestra and maestro about to jump out of their collective skin. How could you not play for this guy?
An oldie but a goodie, Toscanini conducting the end of Respighi’s “The Pines of Rome,” orchestra and maestro about to jump out of their collective skin. How could you not play for this guy?
