Having a few books of music criticism — the right ones, at least — is an essential part of any serious classical music lover’s library. Good music criticism teaches us how to listen to and think about music.
A great book to start with is Tim Page on Music by none other than my friend Tim Page.
It’s a terrific volume for many reasons, but one of them that I’m always struck by is his prose style. It is conversational in the best sense, but not “breezy” in the way that most people mean when they say “conversational.” No, Tim’s prose has a real warmth, grace and flow. You can read it out loud and it sounds well (probably because Tim does that himself before he publishes a piece). It addresses the reader as if he is as intelligent as Tim, and just as interested in the subject matter.
Sometimes considered a critical no-no, the first person pronoun is used by Tim in a masterly way. He makes its use thoroughly convincing because somehow he talks directly and intimately to the reader and the use of the “I” becomes modest rather than boastful.
Along with Martin Bernheimer and Justin Davidson, he is one of only three living music critics to have won the Pulitzer Prize.