Here’s one of my favorite concert videos. It features pianist Alexis Weissenberg playing Stravinsky’s Three Movements from Petrushka. The director is Ake Falck, and while he didn’t exactly reinvent the wheel, the lighting and the camerawork here are superb. Notice how they actually focus your listening rather than distract, as visuals often do. Weissenberg reportedly recorded the piano part in the studio and synced to the recording for the film. –TM
In the run-up to Leonard Bernstein’s 100th birthday, I’ve been highlighting some of his lesser known music. Here’s his jazz/classical fusion piece “Prelude, Fugue and Riffs,” originally written, like Stravinsky’s “Ebony Concerto,” which it resembles, for Woody Herman’s big band. Bernstein conducts this performance for the TV show “Omnibus” in 1955.
Pacific Symphony will perform this piece as part of its Bernstein tribute.
My monthly newsletter, with July concert listings, an interview with Anne Akiko Meyers, news about the orchestra, a playlist, a video and more …
Pacific Overtures. July, 2018.
Composer Igor Stravinsky conducts the Toronto Symphony in the ending of his own ballet “Pulcinella.” This is in 1967, very late in his life, the latest I’ve seen him conducting on film. He would have been about 85 here. Stravinsky is sometimes criticized for having been a poor conductor. Though there is a fair amount of sloppy playing here, he reveals himself as a lively podium presence, alert to rhythm, tempo and the trenchant cue.
The composer’s acknowledgement of the applause is also affecting.
Here are those 11 beats in Part II of Stravinsky’s “Le sacre du printemps” (today is the anniversary of its 1913 premiere) in 103 different performances. Warning: This is bizarre.
I happened upon this photo the other day — the composer Igor Stravinsky with a cat.
My son and I were curious about the watch — Stravinsky was always a dapper dresser — and we came upon this (click on photo to enlarge, see lower left):
See also: That time Philip Glass was in a whisky ad