Connections series renamed, programming set

Pacific Symphony has changed the name of its long-running Sunday Casual Connections series to Sunday Matinees. The substance of the series remains the same: The four concerts each are performed without intermission and last about 90 minutes. Carl St.Clair conducts and offers commentary on the pieces performed.

Subscription brochures for the series were sent out last week, and programming has been finalized. Sunday Matinees opens on Sept. 30 with pianist Olga Kern joining the orchestra for Rachmaninoff’s Piano Concerto No. 3. St.Clair and the ensemble close with Ravel’s “Boléro.”

Concert two in the series (Oct. 28) celebrates the 100th anniversary of the founding of Czechoslovakia with a performance of Dvorák’s Symphony No. 9, “From the New World.” A specially-produced video will be part of the presentation.

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Interview: Conductor Anu Tali

By TIMOTHY MANGAN

Anu Tali is on the line from her home in Sarasota, FL, where she is music director of the orchestra (though not for much longer), and we ask her about being named recently as one of the world’s top “Female Conductors to Watch” by The Washington Post.

“There are two ways of answering your question — if female conductors should be named separately, or if I’m happy to be nominated,” the Estonian conductor, 45, says in elegant accent. “An answer: I’m happy to be nominated. Because I’m just grateful when people notice my work. And I think I am done and over with complaining every time your name comes in one or the other row,” i.e. male or female.

There’s no use fighting it, anyway, with women conductors on the rise internationally, and therefore much in the news. It’s just that Tali, who makes her debut conducting the Pacific Symphony next week, doesn’t see the world in terms of gender, she explains.

“For me, there are interesting male and female artists and people, if you please. For me it is one big stock of artists, not separated.”

The conductor recently announced her departure at the end of next season from the Sarasota Orchestra, where she has served as music director since 2013, saying she wanted to focus on her international career and guest conducting. She’s open to another music directorship, too, but isn’t in a hurry.

“I don’t like planning my life ahead so that I can’t breathe anymore. For me, it’s very important to keep options open because I still have two years here. So it’s quite a long time to do your job properly and I’m not going to go al niente diminuendo (diminish to nothing) you know. We want to gradually grow and It’s very important for me to leave Sarasota Orchestra to the next hands in a very good position to raise from there.”

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