By TIMOTHY MANGAN
Anu Tali is on the line from her home in Sarasota, FL, where she is music director of the orchestra (though not for much longer), and we ask her about being named recently as one of the world’s top “Female Conductors to Watch” by The Washington Post.
“There are two ways of answering your question — if female conductors should be named separately, or if I’m happy to be nominated,” the Estonian conductor, 45, says in elegant accent. “An answer: I’m happy to be nominated. Because I’m just grateful when people notice my work. And I think I am done and over with complaining every time your name comes in one or the other row,” i.e. male or female.
There’s no use fighting it, anyway, with women conductors on the rise internationally, and therefore much in the news. It’s just that Tali, who makes her debut conducting the Pacific Symphony next week, doesn’t see the world in terms of gender, she explains.
“For me, there are interesting male and female artists and people, if you please. For me it is one big stock of artists, not separated.”
The conductor recently announced her departure at the end of next season from the Sarasota Orchestra, where she has served as music director since 2013, saying she wanted to focus on her international career and guest conducting. She’s open to another music directorship, too, but isn’t in a hurry.
“I don’t like planning my life ahead so that I can’t breathe anymore. For me, it’s very important to keep options open because I still have two years here. So it’s quite a long time to do your job properly and I’m not going to go al niente diminuendo (diminish to nothing) you know. We want to gradually grow and It’s very important for me to leave Sarasota Orchestra to the next hands in a very good position to raise from there.”