Augustin Hadelich, who appears in our Bernstein concert next season, plays one of the most charming Paganini caprices, No. 9.
Here’s my colleague, public relations and social media guru, talking about upcoming concerts at the Symphony in this month’s video log.
The 80th birthday tribute to Philip Glass presented this season by Carnegie is the occasion for the visit from our local musicians. They’ll give the New York premiere of Glass’ oratorio “The Passion of Ramakrishna” as a climax to that tribute, on April 21. The program delves deeply into the influence of Indian music on Glass and also includes “Meetings Along the Edge,” a collaboration with Ravi Shankar, and Shankar’s Sitar Concerto No. 3, with Shankar’s daughter Anoushka Shankar as soloist.
Luckily, if you can’t make it to Carnegie Hall for the performance, the program is performed here in Orange County three times, April 12-14. Tickets here
The month opens with the return of Cirque de la Symphonie, the popular acrobatic troupe. Fliers, contortionists, dancers, jugglers, strongmen, gymnasts and what have you perform amazing feats accompanied by live symphony orchestra. Roger Kalia conducts the orchestra in this new show with music by John Williams, Hans Zimmer, Randy Newman and others. April 6-7. Tickets here
A slightly shorter version of the same, called “Cirque for Kids!,” is performed as part of the Family Musical Mornings series on April 7. Tickets here
If you haven’t yet taken the opportunity to visit the acoustically vibrant Soka Performing Arts Center in Aliso Viejo, April 15 might be the perfect time to do so. St.Clair conducts the Symphony, the USC Thornton Choral Artists and soloists in a single work, Beethoven’s Symphony No. 9, “Choral.” Tickets here
Silent movie musical scholar and organist Dennis James is back to climb aboard the Gillespie pipe organ on April 29, this time to accompany the classic German Expressionist film “Nosferatu,” a still creepy 1922 re-telling of the Dracula tale. Tickets here
Also on April 29, the Cafe Ludwig chamber music series closes its season with a mostly French program that includes Francis Poulenc’s Flute Sonata, Rebecca Clarke’s Viola Sonata and Gabriel Faure’s glorious Piano Quintet No. 1. Pianist Orli Shaham with Symphony principals. Tickets here
An inside look at James Levine’s lawsuit against the Metropolitan Opera….
The musicians of the Atlanta Symphony have a new contract, negotiated without rancor….
John Williams’ next “Star Wars” film will be his last….
Here’s a fresh idea for a classical concert — Poems While You Wait….
Several classical titles have been named to the National Recording Registry of the Library of Congress, including Artur Schnabel’s complete recording of the Beethoven piano sonatas….
Zack Ferriday makes a strong case for ditching the term “Maestro”….
José Abreu, founder of Venezuela’s El SIstema, has died….
“In the Spring of 1984, I had just finished writing Akhnaten and I was getting ready for a double opening at the Houston Grand Opera and at the Stuttgart Opera. I had already used up all the commission money to pay for the preparation of the conductor’s score and the piano reduction used by the singer’s for rehearsals. In addition, I had to pay for copying the parts from which the musicians in the orchestra would play, and for that I needed about fifteen thousand dollars. Before computers, this work, an intense amount of labor, had to be done by hand, requiring three or four copyists. Out of the blue I got an offer to do a print ad for Cutty Sark, and, miraculously, they offered me fifteen thousand dollars. I was overjoyed and didn’t hesitate. A photograph was taken of me holding a glass of Scotch whisky with musical notes floating in it. I took the money and had the parts done for the opera.” — from “Words Without Music” by Philip Glass
People of a certain age, including your scribe, remember when virtuoso sitarist Ravi Shankar became famous in the 1960s, celebrated especially among the young. It seemed to me that most households had, along with the records of Herb Alpert, some Ravi Shankar in their collection.
Here’s Nicolas Slonimsky on Shankar:
“As a consequence of the growing infatuation with Oriental arts in Western countries, he suddenly became popular, and his concerts were greeted with reverential awe by youthful multitudes. This popularity increased a thousandfold when the Beatles went to him to receive the revelation of Eastern musical wisdom, thus placing him on the pedestal usually reserved for untutored guitar strummers.”
The album above was released in 1968. You’ll hear Shankar discussing and demonstrating some of the elements of Indian music and also performing pieces. I have to admit, it remains compelling after all these years.
Pacific Symphony plays music by Shankar and Philip Glass (a disciple), including Shankar’s Sitar Concerto No. 3, April 12-14.
Here’s a short clip of Shankar teaching George Harrison how to play the sitar: