I was listening to this recording again the other night for the first time in a while and was struck by not only how good the performance was but also by how it must be quite close to how this piece sounded at the premiere in 1913 (or at least what you could hear over the riot and jeers).
Pierre Monteux was the conductor at the premiere and he led an orchestra of French musicians, as here. French orchestras in the 1950s still had a distinctive sound (tart and clear), and the Paris Conservatoire Orchestra is captured in fine stereo sound in this recording, made in 1956. The performance is not as slick or as powerful as they have become in our time, but it is incisive and primitive and teeming. I’ll post just the first two sections below (the others are available on YouTube). Monteux said he always pictured the dancers at the premiere in his head whenever he conducted the score subsequently.